#1 Does Every Writer Secretly Want To Be An Actor?
I’ve just watched the episode of Veronica Mars with Joss Whedon as a car rental guy, and I’m wondering just how many writers have the need to spread their time into other areas. Quentin Tarantino’s acting talents aren’t exactly exemplary, though Joss managed to deliver his lines perfectly well. Kevin Smith, another geek-favorite, has managed to carve out a nice sideline in acting jobs, though if you were to base any opinion of his talents on Die Hard 4.0 or Silent Bob appearances then he doesn’t seem so cool.
Is this normal? Gee, I must be a freakish mutant, ’cause I have no intention of wasting a day to deliver a couple of lines. That isn’t lowering the importance of television or film, it’s just a fact that both media take so long to set up scenes that it doesn’t seem worth the hassle. I’ve never had the urge to get involved in front of the camera, but scriptwriting isn’t too bad. The most fun is probably to be had in writing series-bibles or coming up with new formats for old ideas.
Stephen King, who really doesn’t need to do anything but sit on his ass and watch the money accumulate in his bank account, regularly appeared in movies based on his novels. I never thought about this much, but now it seems a strange way to stamp authorial importance in the audience’s minds, exactly the same as the cameos Stan Lee gets in every Marvel feature film. I’m slightly less impresses with Lee, mostly because of the way he claims credit for every good idea to come out of Marvel since he kick-started their Silver Age output.
What is the appeal? Is writing unfulfilling for some people?
#2 Red Faction
Playing Red Faction: Guerrilla reminded me of the original, which was better than Half Life in many, many ways, but there was one aspect of the game I never really understood. In the extras there was a enclosed cave / cavern thing which had a giant greenhouse sitting in the centre of the map, but it was never explained what was meant to occur there. I blasted tunnels in the walls, using infinite ammo cheats to get as far as I could go, but there was a limit to the length of tunnel that could be created.
I tried exposing all of the supporting beams under the greenhouse, to get the building to collapse, but this – again – was impossible. So I gave up trying to work out why the map was there… until the second game was released. I wasn’t partial to Red Faction II because of the shallow gameplay and annoying menu interface. Still no clues as to the reason for the damn thing. Then Guerrilla came along, and I’m still no clearer as the the purpose of that glass building from the original game.
#3 Mystery Disks
America has long been used to double-sided disks, but I’m beginning to get rather fed up with the use of them I have the bad habit of not returning DVDs straight back to their boxes, and I’m finding that the double-sided disks are beginning to gather into a large stack beside the television. The ones which have the tiny little writing near the center are bad enough, but there are some which have no writing whatsoever to identify the film on the disk.
Who decided that it was a good idea to release a product that was impossible to identify unless the consumer wastes five minutes putting it in their machine and checking the content? It isn’t rocket science, and even a schoolkid could tell them that there would be trouble in store if some kind of identification isn’t provided on the actual disk. Am I alone in this? Whenever I think about buying R1 DVDs I always check on various websites to see what the specs are now, just so I am not landed with another mystery disk.
#4 Paper Wastage
There’s so many film guides that it can be hard to choose between them, but I’ve been thinking that the days of giant tomes may be over. With imdb.com and the hit-and-miss Wiki pages devoted to films, what are the purpose of film guides these days? Are there still people buying these books, and – if so – what are they getting from the books that they can’t find online from equally reliable sources?
I’m not counting the hilarious histories (there is an account of Cannon which is a terrifying read for any accountant) or the biographies which scrape away myth and PR bullshit, but the alphabetical listing of films, with their release date, cast, crew and a brief plot.
A million years ago I thought of writing a film guide which would cover all of the films which hadn’t been mentioned in print for five years, which would have been the most obscure text on film ever written, but with the advent of so many sites covering obscure films it no longer seems remotely possible. Every dirty little corner of film history seems to have been picked to death by expert and amateur hands alike. I’m not impressed with most blunt little reviews anyway, which often miss some great moments.
#5 The Odyssey
Remind me – was Telemachus the annoying kid or the silly red robot?
Even though I tried to ignore them, I have the awful feeling I have created another meme. Ugh. Whatever – if you have five ponderables to get off your chest, then go ahead. Just make sure you give credit where credit’s due.