The Graveyard

The Lair Of Gary James

The Zombiethon Round-Up – Part One

Posted by BigWords on October 31, 2010

Eternal cruise, I feel the fires of madness
Burning holes into my wounds
This Hell on Earth, I feel the power of sadness
No way out I’m marooned.

Lonely this Hell on Earth
Demons screaming in my mind
Wading through debris of life
A thousand souls their graves to find.

Marooned by Running Wild

My grand plan for Halloween wasn’t without some, ah… interesting time management issues, and I am especially proud of the ingenious idea of watching DVD’s on the laptop during my lunch break to keep from falling behind. You’ve probably guessed from the title of the blog post that it has something to do with the undead, but it is much, much madder than anyone could possibly think of, at least without already lining themselves up for a padded room in a nice facility where the jackets are done up from behind.

The plan was to watch fifty zombie films in a week, so I started with the DVDs I knew I would like (not the last mistake I would make during this insane challenge), namely Dawn Of The Dead, Shaun Of The Dead, I Walked With A Zombie and Zombie Flesh Eaters. Calculating the odds of getting through the entire fifty meant that some cheating was in order, so I pulled out the box set of old zombie flicks and watched King Of The Zombies, Revolt Of The Zombies and White Zombie to fulfill my classic quota and to get some shorter features in before the time constraints really began to bite. The picture quality on the newer films was fine, but those older films are really starting to show their age, even on HD-upscaled DVDs.

A minor interlude is called for here, as it seems to me that the DVD quality of White Zombie especially is actually worse than the old video sell-through release. The tonal quality of the footage lightens and darkens mid-scene throughout, and the number of scratches is unbelievable. It wasn’t this bad on video (or, for that matter, on the 16mm version I saw whilst it was circulating in the late-80s), so I can only assume that this isn’t from the same master copy. The film itself has some wonderful moments, and one scene in particular stands out – Karloff’s Legendre is overseeing the removal of Madeleine’s coffin, and it is so much like a shot Kubrick would have engineered that I had to rewind a few moments to see it again. So beautiful…

Tick tock, tick tock… The clock is tight enough as it is, and I’m fucking around by rewinding. The night was filled with the original Night of The Living Dead, then the remake of Day Of The Dead. That is one film, I gotta say, that doesn’t deserve to be connected to George A. Romero in any way. Mena Suvari is so hopelessly miscast as a hard-ass military stock character that the rest of the film can’t help but look ridiculous around her. There are good effects in there, but rather blunted by the fact that she doesn’t get horrifically mutilated within the first half hour by the undead. With dawn closing in on me, and the week about to begin in earnest, I settled on 28 Days Later. Yeah, I know… “It’s not a zombie film.” Well, fuck Danny Boyle and the horse he rode in on. It’s a schlocky zombie flick. End of story.

I’m splitting this into three, so I can cover as much as I can be bothered saying about each of the films I watched. This, unsurprisingly being the first, is where I get to lavish affection on the good stuff, as there really isn’t enough said about the better zombie films. The other two posts will mostly be mockery and insults, so enjoy the relatively good mood on display here:

My opinions on NOTLD, Dawn and (to a lesser degree) Day haven’t changed over the years. Romero, more than any other director, really gets the concept of zombies – or, as he uses in NOTLD , “ghouls,” which is a much better word for his creatures. I love his style and his voice, but even I am not insane enough to class Diary Of The Dead in the same category as his earlier work. It’s a neat idea, but it’s also one which has been driven into the ground since The Last Broadcast – a classic of the POV style. The immediate follow-up to this, Survival Of The Dead is even less notable, save for an amazing final shot – almost worth sitting through the rest of the film for alone. It also breaks a cardinal rule by having identical twins as a major plot point, which indicates the slow deterioration of the “Dead” series as much as the dilution of the danger has.

If you are wondering, I’ll state right now that I skipped the lamentable Land Of The Dead. It’s not that it adds nothing to the mythos – the attraction to fireworks, and an increase in zombie intelligence which will eventually pay off in Survival – are fine, but any explanation as to how the sealed-off city fits in with the other films would require too much back-story. It’s the ugly step-sister of the franchise, desperately trying to look hip and cool while waddling along with too much padding. That’s probably heresy, but I’m beyond caring. I also managed to skip the comedy-horror Return of The Evil Dead, though that was more from luck than anything else – I forgot about it until it was too late to hunt down my copy. It’s probably nestled between Plan 9 From Outer Space and Twilight, along with a host of other B-movies…

Due to a couple of recommendations (here and here), I picked up the Norwegian film Dead Snow, and… Okay, I liked this, but the barrage of Frank Miller references in the credits threw me off slightly, and the shout-out to 300 only compounded the feeling that I was watching a low-budget fan-film. The effects are awesome, and it has a great storyline, yet there are moments where it feels as if it is trying too hard to throw in references to other films for the sake of it. I especially found the stark chiaroscuro of the trees against the snow at the beginning, though the harsher black and white element is lost rapidly as the film moves into a more traditional horror style. The zombies themselves are a major departure, being able to not only run, but also fight the “heroes” – med students, including a comedy character whose inclusion is obvious from the first reference to his phobia.

Another outstanding example of non-traditional zombies comes in the form of The Horde, a French zombie film in the mold of the Dawn Of The Dead remake, though infused with a stylistic angle as expected from a pair of French directors. It’s billed as “Die Hard with zombies,” but it has a lot more in common with computer games than any films which come immediately to mind. The sequence in Max Payne 2 where the building is burning around him is captured in mood, only the danger is zombies running around trying to eat people rather than flames licking at the heroes heels. The fat guy with the fire-axe may be a reference to Resident Evil, though it becomes an indispensable character trait for the unlikely savior of the beleaguered survivors. I’m going to watch this again, it’s that good…

That, sadly, is most of the best stuff. Sturgeon’s Law is fully in effect when it comes to zombie films – perhaps more than in other horror sub-genres – so I’ll leave off this post here without spoiling the mood.

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

 
%d bloggers like this: